Issue 25

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THE BLOCK MIXTAPE
by Young Empires

Mixtape: Young Empires

Toronto's Young Empires send us straight to the dancefloor with this mixtape for The Block.
www.myspace.com/youngempires

01. Sabali (Vitalic Remix) - Amadou & Miriam
02. Lies (Herve Remix) - Fenech-Soler
03. Hour of the Wolf (Lifelike Remix) - Adam Kesher
04. Dance the Way I Feel (Armand Van Helden Remix) - Ou Est Le Swimming Pool
05. Snake Charmer - Bag Raiders
06. Wait & See - Holy Ghost!
07. All Night (Azari & III Remix) - Voltage
08. You Know I Know It - Tensnake
09. La Mezcla - Michel Cleis
10. Rain of Gold (French Horn Rebellion Remix) - Young Empires

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Interview: Pierluigi Fracassi

December 15th, 2011

Italian artist Pierluigi Fracassi lives Darwin’s theory of natural selection in art and life. His immense talent is winning notice and his insight into man and nature allows him to get right down to the viscera – sometimes literally. At first glance a bit macabre, his haunting, striking pieces are actually an intricate homage to beauty and nature. His latest group show, It’s Time to Say Goodbye, opens this Friday at Galleria Changing Role in Naples. Fracassi spoke to us about the honour of exhibiting at this year’s Venice Biennale, the driving forces behind his art, and giving his grandmother “flowers.”

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Kate Steciw

December 7th, 2011

Love My Way, 2011


Like everyone with a laptop or a smart phone, bits and pieces of artist Kate Steciw’s life are stored away on hard drives. But unlike the rest of us – who may spend hours clicking through Tumblr and Facebook photos without much thought – Steciw is acutely fascinated by the use of screens to access images and memories. “Looking at my old jpegs on my camera phone, I really began thinking about the way that the digital photo is ubiquitous in our lives,” says Steciw, reached at her Brooklyn studio. “These images on cameras and computers are at once so much a part of us, and yet they never really find their way into the actual world.”

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Interview: Amalie Bruun

December 3rd, 2011

For someone from Denmark, rated as having the happiest population on earth, the music of singer-songwriter Amalie Bruun is filled with moody and melancholic sounds from low-fi guitars and tambourines reminiscent of alternative rock bands of the 80s and 90s. Born and raised outside Copenhagen, Amalie was brought up in a musical household which prompted her at the age of 20 to busk on the streets of Paris, London and Amsterdam before getting into songwriting for other musicians in Stockholm. One of these songs she recorded herself; ‘If You Give it Up’ ultimately became the theme song of Denmark’s version of the television series ‘Paradise Hotel.’

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Sam Falls

November 28th, 2011

When Sam Falls dropped everything in early 2011 to travel from his home in Brooklyn to California for a photography trip, he may have taken film with him. But the results of his latest work, Somewhere to Go,which debuted this summer at the Los Angeles location of OHWOW, were not developed in a darkroom.

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Peter de Potter

November 23rd, 2011

From i am an image machine, 2011

“I think that art needs to be seen, or better: to be distributed. I think the art world should make greater efforts to inject the world-at-large with its imagery. The series i am an image machine is to a big extent about the internet. It’s about the way the current generation approaches images. It’s not considered important anymore who made a certain image, when or how or why it was made, or even what it depicts. People go past things like authorship and reference, and simply respond to the emotional charge of an image.”–Peter de Potter

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Hannah Yelland

November 21st, 2011

As the child of two actors who met on stage at Cambridge University, Hannah Yelland’s career path may have been a matter of fate. Raised near picturesque Hampton Court – the infamous home of King Henry VIII – Yelland quickly became an actress herself, making her theatre debut at the age of 11 in a local production of Oklahoma!. “The music of Rodgers and Hammerstein kind of really affected me. I still can’t watch movies or see other productions without crying out of nostalgia,” the actress laughs. After watching her father, David Yelland, take the Broadway stage in 1996 as Sir Robert Chiltern in Oscar Wilde’s An Ideal Husband, she thought, “Wouldn’t that be amazing to do one day!” and followed further in her parents’ footsteps. Fifteen years later, she made her own Broadway debut as the love-torn housewife Laura Jesson in a stage adaptation of Noel Coward’s 1945 film Brief Encounter, a role for which she received her first Tony nomination.

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Interview: Sara Philips

November 18th, 2011

 

Today’s modern woman is a minefield of contradictions, and we all know we’re guilty. Pretty in pink, combat boots, edgy couture – all beckon us to worship at their fashionable altars. Sydney-based designer Sara Philips is making a name for herself balancing this push-and-pull. Every season since her namesake label’s 2007 launch, she’s offered up a focused, inspired collection, and the alternately colour-blocked and lacy pieces of Spring 11/12 are no exception. Though it’s cold and snowy on our side of the world, it’s summer down under, and we’re jealously coveting these pretty yet sophisticated designs. We caught up with Sara to chat about childhood inspiration, travels in Egyptian, and her take on femininity.

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Liu Wen/Abbey Lee

November 16th, 2011

If you’re fascinated by what models look like off the catwalk, you’re probably already familiar with Altamira. The site, also know as Models Off Duty, has been operated by photographer Craig Arend since 2007, providing ample visual evidence that when models aren’t working, they still look like models. Need more proof? Witness Arend’s street photos of a glowing Liu Wen and ethereal Abbey Lee, en route to it-doesn’t-matter-where — totally casual, yet completely amazing.

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Future Noir

November 15th, 2011

Jacket, Shirt, and Pants, Ohne Titel

Minimalism’s strong, sexy femme fatale recalls Blade Runner-era Daryl Hannah. If this is the future, we’ll take it.

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Big Freedia

November 10th, 2011

Big Freedia

Big Freedia is a New Orleans rapper who uses the feminine pronoun despite the fact that she is a tall African-American man with a penchant for wearing sequined jackets and capes. At any of her notorious live gigs, the following scenario unfolds: when the beat kicks in, Freedia, like a shamanic conjurer, shouts the hypersexual lyrics to her anthem “Azz Everywhere” while scantily-clad ladies race to the front. Men are relegated to the back, and there’s an onslaught of booty shaking so intense it looks as though someone may become pregnant via immaculate conception. “There’s always a lot of energy,” she explains enthusiastically over the phone in her sweet-yet-authoritative Southern drawl. “No matter when I hit the floor, I make ‘em shake. I make ‘em work hard. When I come, the party starts.”

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